Review by John Larkin MARTY SUPREME is a reminder that the work of a great director is not merely technical. They do not simply assemble strong production design, confident cinematography, or skilled performances. At their highest level, they transmit something less tangible, an energy, a frequency, directly through the screen. When it works, the audience does not simply observe the film; they absorb it. Josh Safdie understands this instinctively. With UNCUT GEMS, the Safdie

Purchase at MovieZyng.com  by clicking the image above Blu-Ray review by Roy Frumkes Smartly, as concerns the Golden and Noir ages, bundling several titles together often makes older collectibles more attractive…if the choices are shrewd. Because often these collections share a title or two, we are left to whittle down, according to your taste, which batch has the best non-overlappers, rather than having to buy them both and live with the duplicate(s). Here’s a prime example:

Review by Victoria Alexander Pure cinematic brilliance. Crowe mesmerizes and creates a devastating, fully committed, shocking character. The best film and performance of the decade. Makes OPPENHEIMER look like a petty squabble among ego-driven company men. Russell Crowe powerfully delivers the magnetic character of Adolf Hitler’s fanatically devoted Nazi, Hermann Göring. Crowe delivers the multi-faceted enigma of one of Hitler’s most influential and powerful figures of the Na

Purchase at MovieZyng.com  by clicking the image above AWAKENINGS captures the spirit of early 1990’s New York filmmaking in a way few films of that moment did. Even though the story takes place in 1969 and 1970, the production feels steeped in the atmosphere of the city in which it was made: the outer boroughs, the institutional buildings, the scuffed linoleum floors, the light falling through aging hospital windows. Penny Marshall shot in real locations throughout Brooklyn